Celine Dion – The Power of Love

First Hit #1: February 12, 1994

Lots of people dislike Celine Dion, but I have a late blooming appreciation for her. She’s got the same problems as most of the big-voiced divas out there, especially a propensity to go big and cheesy rather than reign it in and keep it tasteful. The Power of Love, a cover of a song originally by Jennifer Rush, is relatively subdued for Dion, which simply means that the arrangement is simpler than usual, as vocally she is going all out in her attempts to go toe to toe with the Careys and Houstons of the world. Still, she has a very distinct voice – there’s a hint of an accent there, which gives it a bit of a unique flavor – and she can jump through the vocal hoops and have a technically impressive performance. The Power of Love itself is a pretty good ballad for the time, and it has a certain propulsive sound that is uncommon in the songs of the big voiced ladies – it’s constantly pushing, and Dion’s voice is pushing along with it, giving a song that feels like it’s constantly moving forward and is perhaps more ambitious than it actually is. Her diva flavor is a bit more French, but it’s just as big and just as much of a showoff as any of the others.

This entry was posted in 1994 and tagged , . Bookmark the permalink.

One Response to Celine Dion – The Power of Love

  1. RBerman says:

    The same people who don’t like Josh G roban and Michael Bolton, also don’t like Céline Dion. Timewise she’s certainly thought of in the same breath as powerhouses like Houston and Carey, though her real inspiration is Barbra Streisand, and thus probably to the likes of Dinah Washington (http://www.youtube.com/watch?v=vC7n6SREFew) either directly or secondhand.

    As for the song, it was great when taken to the lower half of the Top Forthy by Laura Branigan in 1987 (http://www.youtube.com/watch?v=1MN7RY74NAo), and it’s great here, in an extremely similar arrangement. It builds to a roar in classic Dusty Springfield fashion, with a second chorus that’s twice as long as the first, allowing for progression in the lyrics to mirror the music.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s